Boz Scaggs & America
Rose Music Center at The Heights invites you to celebrate The Fourth of July with Boz Scaggs and America – together live for one night only on Wednesday, July 4th.
ABOUT BOZ SCAGGS
“I’m at a point where I’m having a lot of fun with music, more than ever,” Boz Scaggs says about his spellbinding new album, A Fool to Care. “It’s like I’m just going wherever I want to go with it.”
You can hear that sense of fun, as well as that ability and willingness to wander in any musical direction throughout the album’s twelve tracks. The inspirational heart of those songs lies in the sounds of Texas, Louisiana and Oklahoma that played such a vital role in shaping Scaggs’ musical sensibility, but they venture forth boldly from there, ranging from the seductive New Orleans rumble of the title track to the wry social commentary of “Hell to Pay” and a heartbreakingly wistful interpretation of The Band’s “Whispering Pines.”
Fans who have followed Scaggs’ remarkable career dating back to the late Sixties with the Steve Miller Band; his solo triumphs with such classic albums as Silk Degrees (1976) and Middle Man (1980); and the splendid assurance of late-period high points like Some Change (1994) and Dig (2001), will instantly recognize Scaggs’ characteristically deft touch as a singer. He brings a sly drawl to a funky workout like Li’l Millet and the Creoles’ “Rich Woman,” a conversational intimacy to Bobby Charles’s “Small Town Talk,” and an elegant delicacy to the Impressions’ “I’m So Proud.” He easily negotiates the Latin flavoring of “Last Tango on 16th Street” and “I Want to See You,” both written by San Francisco bluesman (and longtime Scaggs compatriot) Jack Walroth. His soul is effortless and deeply felt, never making a show of itself, but unmistakably evident in every lyric he delivers.
What ultimately communicates about A Fool to Care is how fully Boz Scaggs inhabits these songs. They seem less like interpretations than realizations, proofs that when you truly make someone else’s song your own, you paradoxically restore something essential to it. Scaggs believes that this album and Memphis, its immediate predecessor, might turn out to be the first two parts of a trilogy, a three-album collaboration with producer Steve Jordan and the band of extraordinarily empathetic musicians they love to work with.
The year 2018 marks the 48th Anniversary of perennial classic-rock favorite, America. Founding members, Gerry Beckley and Dewey Bunnell (along with former band mate Dan Peek) met in high school in London in the late 1960s and quickly harmonized their way to the top of the charts on the strength of their signature song "A Horse With No Name”. America became a global household name and paved the way with an impressive string of hits following the success of their first #1 single. Forty plus years later, these friends are still making music together, touring the world and thrilling audiences with their timeless sound.
America's journey has found them exploring a wide variety of musical terrain. Their best-known tunes, which also include "I Need You," "Ventura Highway," "Don't Cross The River," "Tin Man," "Lonely People," and "Sister Golden Hair" were cornerstones of 1970’s Top 40 and FM rock radio. Yet beyond their impressive catalog of hits, listeners would discover there was always much more to America than surface perceptions. The combination of Gerry Beckley’s melodic pop rock and Dewey Bunnell’s use of folk-jazz elements, slinky Latin-leaning rhythms and impressionistic lyric imagery contrasted well with Dan Peek's more traditional country-rock leanings and highly personal lyrics.
America's albums--six certified gold and/or platinum, with their first greatest hits collection, History, hitting four plus million in sales--displayed a fuller range of the trio's talents than did their singles. Their material encompassed an ambitious artistic swath; from effects-laden rockers to oddball medleys to soul-bearing ballads, America displayed a flawless blend of disparate genres and styles as wide-open as the great American plains.
Enjoying massive success early in their career, America earned their stripes as musical soldiers on the battlefield amidst the excess, craziness and chaos of the 70’s. The trio won the Grammy® for Best New Artist in 1972 and began working with George Martin and Geoff Emerick in 1974. This successful team went on to record seven albums and several Top Ten hits, including “Tin Man” and “Sister Golden Hair”.
With Peek’s departure from the fold in 1977, Gerry Beckley & Dewey Bunnell rose to the challenge and carried on as a duo. Shifts in sound and direction, changes in producers and managers, and a renewed dedication to the craft of songwriting helped rocket America to the upper reaches of the pop charts in 1982 with their smash single, "You Can Do Magic." During this tumultuous time in their career, Beckley and Bunnell immersed themselves in their craft, infusing a newfound maturity into their rich body of work. Their growth as singers, songwriters and musicians has continued into the present day as illustrated by landmark releases such as 2000’s Highway 3-disc box set, 2002’s Holiday Harmony, an album comprised of seasonal classics and live showcases, 2007's Here & Now, 2009’s Live In Concert: Wildwood Springs and 2011’s Back Pages.
From their formative years, America has been a band capable of transcending borders with its uplifting music and positive message. Embracing a rainbow of divergent cultures, America’s audiences continue to grow, comprising a loyal legion of first, second and third generation fans, all bearing testament to the group’s enduring appeal. "I think that the ingredients of the America sound are the basic fundamentals that translate internationally," explains Beckley. "Music is truly the international language."
Reserved Pavilion Seating
$83.00*, $78.00*, $72.00*, $63.00*, $56.00*, $49.00*, $39.00*, $23.50*
*While supplies last. Ticket prices include parking and are subject to applicable Ticketmaster fees and day of show increase. All events are rain or shine. Dates, times and artists subject to change without notice.
Jul 4, 2018